Question(2 of 3)

Link example of a violation of number

In this web page, there’s a Visual element that looks like a button under the page

link to an example of a violation of number 6

How can framing your project in a story format help you refine your ideas?

All great stories are not random, but are conceived in advance. Among the essential steps are: story panels, story arcs and story modes. Then with these in place, the heart of the story, the level of cooperation of the group and the power of emotion can be added to round out the story even more.

I believe that when creating a story, you should first build the framework and later inject the core to give the story an outline. Then add emotion to make the audience feel empathy, and finally listen to the team's suggestions to make the story more logical and easier to convince others.

What are different ways to establish hierarchy (or emphasis) in typography design?

Typography is like a second language, communicating on a more subtle level beyond the actual words. The actual content is what you say, but the typography is how you say it, and it's what makes the first impression. Typography creates an experience before the audience even reads a word or clicks a menu button. Typography doesn't just tell a story; it creates an atmosphere and an emotional response, much like the tone of voice.

The typographic hierarchy is a subset of the visual hierarchy. Typographic hierarchies align text so that important words are easily prioritized for the audience that is viewing the information. Without this hierarchy, every letter and word in the design would look the same. The design should be visually appealing. Fonts support at least three hierarchies. 01. First level hierarchy.

• First Level Hierarchy
  The most compelling text on the page is usually larger and brighter than the other text layers. Because this hierarchy is so powerful, the font should be sparse - keep it for headings and templates only.
• Secondary Level
  Less visible than the primary level, but more compelling than the main content, the secondary level handles everything in between. This level has some minimal but unique elements in terms of size and color, usually including subheadings, headings, citations, infographics or supporting text blocks separate from the primary content.
• Tertiary Level
  This refers to the most primary content, which is also the most common and least noticeable. It should be simple and unflashy - while the goal of the other levels is to attract attention, the goal of this level is to encourage readers to immerse themselves in the text, thereby reducing distractions.
• Other levels
  Smaller hierarchies can be created by slightly applying italics, color, bold, underline and other effects to the three levels. These levels may include underline links, a few bold words for emphasis in paragraphs, etc. Text that appears in banners, logos, or other background graphics also falls into this category.

a link to a good example of hierarchy.

Creative Brief

Question:When I am collecting different art types, how do I use the correct interpretation and what symbolic images should I use as a representation.

Audience:Those who need to know about the different art types, this site will make it easier for them to look up the type of art they need.

Competition: The usual browser can look up all the concepts of painting types and examples, but the browser has no way to place them into categories.

Key information: the different art types, including an introduction, history, symbolic figures, and examples of works.

Call to action: I hope people can learn more about the different types of art. In my life, a lot of people will talk about similar types of art together and think they are actually one thing. I think people who are interested in art need to understand them.

How to measure success: I need to collect a lot of different types of paintings and group them into big columns to make it easier for everyone to find them.